by Wickham Boyle
EDGE Media Network Contributor
Tuesday Oct 10, 2017
“Constellations,” written by Nick Payne, bowed at the Royal Court Theater in London in 2012. It then had its American premiere at the Manhattan Theater Club in 2015 staring Jake Gyllenhaal and Ruth Wilson. It is roaring back to an upstate stage produced by the small, plucky Tangent Theater.
Tangent, a company founded in 2000, occupies a former Carpentry shop on a back alley in sleepy Tivoli, New York, but their production is anything but somnambulant. You enter the small space with seating for perhaps 50 and discover that for this production there is seating in the round, surrounding a floor painted with a swirling cosmos designed by Caitlynn Barett so skillfully realized by painter and artist Joel Griffith (and who happens to be Tivoli’s mayor). This is where the two-person play unfolds.
We find Roland, played masterfully by artistic director Michael Rhodes, and Marianne who, as embodied by Molly Parker Myers, spits great dialogue and provides an anchor for the sometimes-complicated work. This is a boy meets girl, sometimes falls in love, sometimes marries, sometimes health overwhelms them, but they keep moving forward.
He is a beekeeper; she is a cosmologist a purveyor of the principles of string theory, relativity, and quantum mechanics. They are perhaps an unlikely pair in a play written in an unusual, Groundhog Day style. This means that many scenes are played repetitively with twists and quirks, little differences designed to show that at any, and every moment in our lives situations could go this way or that.
If I knew more about the scientific theories pursued by Marianne I might be able to discourse on how the paths of stars, or the vibration of the spheres influences and changes the course in our lives, spinning new webs or universe. Or as they refer to in this play “the multi-verse.”
What we all can relate to, and this production does much to illuminate this, is that our lives are fragile and going left rather than right, being late for a train, or taking one course of action over another, eventually all strings together to create our lives. If we looked back, regarding our choices, and adjusting them, we might have envisioned or created a different us.
In this 70-minute work, which at times feels like a musical fugue where one trope overlaps another and then reappears slightly morphed, we begin to let go of a linear expectation for a theatrical encounter. This is tough stuff, the lines have to flow and lap like water kissing the shore and this little company has done a great job of presenting an evening that will shake audience members to reevaluate how their lives have come together in lesser and greater ways.
“Constellations” runs through October 22 at Tangent Carpenter Shop Theater, 60 Broadway, Tivoli, New York.
For information or tickets, call 845-230-7020 or visit tangent-arts.org